The Fine Art & Graphic Arts Collections at FATHOM
Art Iconix is FATHOM's fine art and graphic arts collection — we publish limited edition and open edition prints produced at our Santa Monica studio from works selected across our gallery program and archival sources. The collection spans contemporary painting and mixed-media, graffiti and street art, graphic design and illustration, museum masterwork reproductions, and musician-driven fine art collaborations under the SceneFour imprint. The through line is FATHOM's interest in where fine art, commercial art, and pop culture meet — the artists, movements, and moments where those categories stop being useful. Some series include original works. Each section has its own logic.
Art Iconix Collections
Contemporary Fine Art
The contemporary section focuses on four distinct areas — abstract, neo-expressionism, figurative, and surrealism. Featured artist include Miles Regis works in the neo-expressionist tradition: large-scale, mixed media, text and collage embedded in paint, his America Series built directly from the imagery of the 2020 Los Angeles protests. Gary Palmer's figurative work draws on his travels across Africa — shadowed forms, muted warmth, a stillness that reads differently from Regis's urgency. Joshua Elias operates in abstraction: gestural, geological, his Skin of the Earth and Fragmentation and Harmony editions among the most tightly limited in the collection. Marcel 'SEL' Blanco's Punk Rock Zen series bridges all of it — figurative painting with a street art sensibility, originals and prints both in the catalog. Explore Our Contemporary Fine Art Collections→
Graffiti, Pop & Street Art
This collection is where FATHOM's interest in the intersection of fine art and pop culture is most direct. Marcel 'SEL' Blanco — who came up through the WCA graffiti movement in Los Angeles — is the connective thread: his work appears here as standalone editions and as the SEL × Carolan and SEL × Braun collaboration series, where his painted surfaces are fused with photography by Drew Carolan and Alison Braun to produce works built around punk, hardcore, and hip-hop iconography. Karlos Marquez brings a graffiti lettering tradition to gallery-scale prints; Riskie Forever works in vivid figurative portraiture with deep roots in hip-hop visual culture; Rohitash Rao contributes protest-oriented work with a graphic sensibility that sits cleanly at the border of fine and commercial art. Kanaky's Tiki Pop series pulls from a different current entirely — retro surf and Pacific Rim iconography, flat color, clean line. The range here is deliberate. Check Out FATHOM's Graffiti, Pop & Street Art →
Graphic Design & Illustration
This collection explores where the line between fine art and commercial visual communication is either absent or the point. Theo van Hoytema's Art Nouveau bird lithographs, Louis Icart's Art Deco figure studies, and Ju Lian's Chinese botanical illustrations sit alongside A. Pugin's early 19th-century Paris architectural engravings — all works in which draftsmanship and print technique carry the full weight of the image. Mr. G. brings a contemporary graphic sensibility to the same territory: reductive black figures on warm ground, clean and confident, in the Mid-Century Vibes and Figure series. The Movie Poster Design sub-section extends that thread into cinema's own history of image-making as a commercial and fine art form. Survey The Graphic Design & Illustration →
Museum Masters
Our Masters collection draws archive draws from post-impressionism, the Dutch School, early Expressionism, and the broader tradition of European printmaking and illustration. The selection is deliberately not a survey — FATHOM publishes specific works for specific reasons, and the choices tend toward the psychologically charged, the formally rigorous, or the overlooked. Van Gogh's Head of a Skeleton with a Burning Cigarette and Munch's Death and Crystallization are here because they sit at the edge of their makers' known work, not at the center of it. Jan Saenredam's Death's Head and the early cinema poster for The She-Devil occupy a different register — darker, stranger, more connected to the visual culture that runs through the rest of the Art Iconix collection. The archive is expanding through 2026 across additional movements and periods. Explore Museum Masters →
Hybrid Collaborations
The works in this section are built through collaboration rather than single authorship, and the method in each case is specific. SceneFour's process places musicians — Stewart Copeland, Bill Ward, Dave Lombardo, Cindy Blackman Santana, Sheila E., among others — at the center of long-exposure light photography sessions while they play. The instrument disappears; what remains is color, arc, and motion. The resulting prints are abstract in appearance but documentary in origin — a direct record of a particular drummer playing a particular way. The SEL × Carolan and SEL × Braun series operate differently: Drew Carolan's documentary photographs of break dancers, punk performers, and hip-hop figures are worked over by SEL with graffiti lettering and painted surfaces, the two mediums merging into a single image that belongs fully to neither photographer nor street artist. Both approaches start from live performance and arrive at something that couldn't exist any other way. Dive Into The FATHOM Hybrid Collaborations →